repousse$515705$ - definizione. Che cos'è repousse$515705$
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Cosa (chi) è repousse$515705$ - definizione

METALWORKING TECHNIQUE
Chasing; Repousse; Repousser; Reppousse; Repoussée; Repoussee; Repoussé; Repousse and Chasing; Repoussé and Chasing; Repoussage; Chasing (metalworking); Repoussé work; Chasing hammer; Chased; Repousee; Repousse work; Repousse and chasing; Repoussé & chasing
  • Golden mask]] of [[Tutankhamun]]'s mummy
  • The Great Dish, or Great Plate of Bacchus, from the Roman [[Mildenhall Treasure]]
  • Golden mask from [[Colombia]], at the [[Museo del Oro]]. Possibly from the [[Calima culture]] (100–500 CE)

Repousse         
·noun Repousse work.
II. Repousse ·adj Formed in relief, as a pattern on metal.
III. Repousse ·adj Ornamented with patterns in relief made by pressing or hammering on the reverse side;
- said of thin metal, or of a vessel made of thin metal.
Repoussage         
·add. ·noun Art or process of hammering out or pressing thin metal from the reverse side: (1) in producing repousse work; (2) in leveling up any part of an etched plate that has been worked so as to cause a depression.
Repoussé and chasing         
Repoussé () or repoussage () is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal.

Wikipedia

Repoussé and chasing

Repoussé (French: [ʁəpuse] (listen)) or repoussage ([ʁəpusaʒ] (listen)) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction.

Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.

These techniques are very ancient and have been extensively used all over the world, as they require only the simplest tools and materials, and yet allow great diversity of expression. They are also relatively economical, since there is no loss or waste of metal, which mostly retains its original size and thickness. Toolmarks are often intentionally left visible in the result.

A few among many famous examples of repoussé and chasing are the prehistoric Gundestrup cauldron, the mask on the mummy of Tutankhamun, the body armours of the Bronze Age, the copper ornaments made by the Native Americans in the Southeastern United States, and the Statue of Liberty in New York City.